Simple Minds
From Wikipedia, the free encyclopedia
| Simple Minds | |
|---|---|
Simple Minds performing in Oslo, Norway in February 2006
| |
| Background information | |
| Origin | Glasgow, Scotland, United Kingdom |
| Genres | |
| Years active | 1977–present |
| Labels | |
| Associated acts | Johnny & The Self-Abusers |
| Website | Simple Minds Official site |
| Members | Jim Kerr Charlie Burchill Mel Gaynor Andy Gillespie Ged Grimes |
| Past members | Brian McGee Tony Donald Duncan Barnwell Mick MacNeil Derek Forbes Kenny Hyslop Mike Ogletree John Giblin Eddy Duffy |
Simple Minds are a Scottish rock band formed in 1977. They achieved commercial success in the 1980s and, despite various personnel changes, continue to record and tour.
The band scored a string of hit singles, and are best known internationally for their 1985 hit "Don't You (Forget About Me)" (UK #7, US #1, CAN #1), from the soundtrack of the John Hughes film The Breakfast Club. Their other more prominent hits include "Alive and Kicking" (UK #7, US #3, CAN #3) and "Belfast Child" (UK #1, IRE #1, NLD #1). In 1986, the band was nominated for the Brit Award for Best British Group.[2] In 2016, they won the Ivor Novello Award for Outstanding Song Collection.[3]
The core of the band is the two remaining founding members – Jim Kerr (vocals, songwriting) and Charlie Burchill (guitars, keyboards after 1990, other instruments, songwriting). The other current band members are Andy Gillespie (keyboards), drummerMel Gaynor (who first joined the band in 1982) and Ged Grimes (bass guitar). Former members include bass guitarist Derek Forbes, drummer Brian McGee, and keyboardist Mick MacNeil.
Contents
[show]History[edit]
Roots and early years[edit]
The roots of Simple Minds are in the short-lived punk band Johnny & The Self-Abusers, founded on the South Side of Glasgow in 1977. The band was conceived by would-be Glasgow scene-maker Alan Cairnduff, although he left the job of organising the band to his friend John Milarky. At Cairnduff’s suggestion, Milarky teamed up with two musicians he had never worked with before – budding singer and lyricist Jim Kerr and guitarist Charlie Burchill. Kerr and Burchill had known each other since the age of eight. After joining Johnny & The Self-Abusers, they brought in two of their school friends, Brian McGee on drums and Tony Donald on bass (all four had previously played together in the schoolboy band Biba-Rom!).
With Milarky established as singer, guitarist and saxophonist, the line-up was completed by his friend Alan McNeil as third guitarist. Kerr and Burchill also doubled on keyboards and violin respectively. In common with the early punk bands, various members took on stage names—Milarky became "Johnnie Plague", Kerr became "Pripton Weird", MacNeil chose "Sid Syphilis" and Burchill chose "Charlie Argue".
Johnny & The Self-Abusers played their first gig on Easter Monday, 11 April 1977 at the Doune Castle pub in Glasgow. The band played support to rising punk stars Generation X in Edinburgh two weeks later. The band went on to play a summer of concerts in Glasgow. The band soon split into two factions, with Milarky and McNeil on one side and Kerr, Donald, Burchill and McGee on the other: at the same time, Milarky’s compositions were being edged out in favour of those of Kerr and Burchill.
In November 1977, Johnny & The Self-Abusers released its only single, "Saints And Sinners", on Chiswick Records (which was dismissed as being "rank and file" in a Melody Maker review.) The band split on the same day that the single was released, with Milarky and McNeil going on to form The Cuban Heels. Ditching the stage names and the overt punkiness, the remaining members continued together as Simple Minds (naming themselves after a David Bowie lyric from his song "Jean Genie").[citation needed]
Original Simple Minds (late 1977–81)[edit]
In January 1978, Simple Minds recruited Duncan Barnwell as a second guitarist (allowing for an optional two-guitar line-up while also enabling Burchill to play violin). Meanwhile, Kerr had abandoned keyboards to concentrate entirely on vocals. In March, Kerr, Burchill, Donald, Barnwell and McGee were joined by the Barra-born keyboard player Mick MacNeil. The band rapidly established a reputation as an exciting live act (usually performing in full makeup) and gained a management deal with Bruce Findlay, owner of the Bruce's Records chain of record shops. Findlay also owned Zoom Records (a subsidiary of the Arista Records label), and used his position to get Simple Minds signed to Arista. By early 1980, Findlay became the band's full-time manager via his Schoolhouse Management company.
The band's line-up did not settle until the end of 1978. Tony Donald quit in April, before the first Simple Minds demo tape was recorded (he later became Burchill's guitar technician). He was replaced by Duncan Barnwell's friend Derek Forbes (formerly the bass player with The Subs). In November, Barnwell was asked to leave. The remaining quintet of Kerr, Burchill, MacNeil, Forbes and McGee—generally considered as the first serious line-up of Simple Minds—began rehearsing the set of Kerr/Burchill-written songs which appear on their début album.
The first Simple Minds album, Life in a Day, was produced by John Leckie and released by Arista in April 1979. The album's title track "Life in a Day" was released as Simple Minds' first single and reached No. 62 in the UK Gallup charts, with the album reaching No. 30 in the LP charts. The next single ("Chelsea Girl") failed to chart. While preparing ideas for the next record, they played a support slot for Magazine, following which they went back to the studio with Leckie to work on new material.
Simple Minds' second release, Real to Real Cacophony was a significant departure from the pop tunes of Life in a Day. The album had a darker and far more experimental atmosphere, announcing some of the new wave experimentation that became the band’s trademark sound over the next two albums. Much of the album was written in the studio, although Simple Minds had been playing early versions of several tracks during the recent tour dates.
Innovations which the band displayed on Real to Real Cacophony included minimalist structures based around the rhythm section of Forbes and McGee, plus the occasional use of unconventional time signatures. The band also experimented with elements of dub, and included the wordless and atmospheric "Veldt" in which they attempted to create an impression of an African landscape using electronic buzzes and drones, Burchill's improvised saxophone lines and Kerr's chants and cries. The album also generated the single "Changeling".
The next album was Empires and Dance Many of the tracks were minimal and featured a significant use of sequencing. McNeil's keyboards and Forbes' bass became the main melodic elements in the band's sound, with Burchill's heavily-processed guitar becoming more of a textural element. With this album, Kerr began to experiment with non-narrative lyrics based on observations he had made as the band travelled across Europe on tour.
In 1981 Simple Minds switched from Arista to Virgin. The following year, Arista put out a compilation album, Celebration, featuring tracks from the three previous records.
Simple Minds' first release on Virgin was two albums: the Steve Hillage-produced Sons and Fascination and Sister Feelings Call. The latter album was initially included as a bonus disc with the first 10,000 vinyl copies of Sons and Fascination, but it was later re-issued as an album in its own right. (For the CD release, it was paired on a single disc with Sons and Fascination — at first with two tracks deleted, but on later issues, in full.)
Peter Gabriel selected Simple Minds as the opening act on several dates of his European tour. Further increasing the band's visibility, the single "Love Song" an international hit (reaching the Top 20 in Canada and Australia), and the instrumental "Theme for Great Cities" proved so enduring a composition that it was later re-recorded in 1991 as a B-side to the single "See the Lights".
During this period, the band's visual aesthetic was established, masterminded by Malcolm Garrett's graphic design company Assorted iMaGes. Characterised at first by hard, bold typography and photo-collage, Garrett's designs for the band later incorporated pop-religious iconography in clean, integrated package designs that befitted the band's idealised image as neo-romantic purveyors of European anthemic pop.
Drummer Brian McGee left the band at the end of the Sons and Fascination sessions, citing exhaustion at Simple Minds' constant touring schedule and a desire for more time at home with family. He later joined Propaganda.
Rising to fame (1982–83)[edit]
McGee's initial replacement as Simple Minds' drummer was Kenny Hyslop (ex-Skids, Slik, Zones), who joined the band in October 1981 in time to play the first leg of the Sons & Fascination tour. His interest in New York music (including funk, hip-hop and dance) played an immediate part in the band's musical development. He stayed long enough to drum on the band's next single, the disco-friendly "Promised You a Miracle" (based on a funk riff from one of the cassettes he played on the band's tour bus) which hit the UK Top 20 and the Australian Top 10. Hyslop "didn't fit in" with the band or their management (a situation further strained by his apparent suspicion of record companies) and in February 1982 he left the band after five months.[citation needed]
Hyslop was replaced by the Kilmarnock-born percussionist Mike Ogletree (the former drummer for Café Jacques). Ogletree joined Simple Minds for rehearsals in a large converted barn in Perthshire, where he wrote and played the drum parts for the songs that were to become New Gold Dream (81–82–83–84). Ogletree also performed with the band on TV and the second leg of the 'Sons and Fascination Tour'.
The band moved to Townhouse Studios for recording sessions with producer Peter Walsh, who introduced them to a London-born drummer called Mel Gaynor, a 22-year-old session musician with plenty of experience (including a stint drumming for The Nolans).[citation needed] Working closely with Ogletree in order to capture and maintain the beats from the Perthshire sessions, he played drums on the majority of the record (although Ogletree played drums on three tracks and is credited for percussion across the entire album).[citation needed]
New Gold Dream (81–82–83–84) was released in September 1982, combining the results of the Walsh sessions along with "Promised You a Miracle". The album was a commercial breakthrough and generated charting singles including "Glittering Prize" (which reached the UK Top 20 and Australian Top 10). Simple Minds were soon categorised as part of the New Romantic outgrowth of new wave (along with Duran Duran and others).
While some tracks ("Promised You a Miracle", "Colours Fly and Catherine Wheel") continued the formula perfected on Sons and Fascination, other tracks ("Someone Somewhere in Summertime", "Glittering Prize") were undisguised pop. Jazz keyboardist Herbie Hancock performed a synth solo on the track "Hunter and the Hunted".
Mike Ogletree played on the first leg of the New Gold Dream tour, but left the band immediately afterwards in November 1982 to join Fiction Factory. Mel Gaynor was recruited (as a full member of the band) for the remaining dates. Simple Minds' first non-Scottish member, Gaynor went on to become the band's longest-standing drummer (and member aside from mainstays Burchill and Kerr) despite thrice leaving and returning in the following decades.
Stadium rock years: 1984–91[edit]
The next record, Sparkle in the Rain, was produced by Steve Lillywhite and released in February 1984. It gave rise to successful singles like "Waterfront" (which hit No. 1 in a few European countries) and "Speed Your Love to Me" and "Up on the Catwalk". Sparkle in the Rain topped the charts in the UK and hit the Top 20 in several other countries (including Canada, where it reached No. 13).[4]
In 1984, Jim Kerr married Chrissie Hynde from the Pretenders (who renamed herself Christine Kerr). Simple Minds did a North American tour where they played as headliners supported by China Crisis during the Canadian leg and in support of the Pretenders in the US while Hynde was pregnant with Kerr's daughter. The marriage lasted until 1990.
Despite the band's new-found popularity in the UK and Europe, Simple Minds remained essentially unknown in the US. The band's UK releases on Arista were not picked up by Arista USA who had 'right of first refusal' for their releases. The 1985 film The Breakfast Club broke Simple Minds into the US market, when the band achieved their only No. 1 U.S. pop hit in April 1985 with the film's closing track, "Don't You (Forget About Me)". The song was written by Keith Forsey and Steve Schiff; Forsey offered the song to Billy Idoland Bryan Ferry before Simple Minds agreed to record it. The song soon became a chart-topper in many other countries around the world.
At around this point, the camaraderie that had fuelled Simple Minds began to unravel, and over the next ten years the band's line-up underwent frequent changes. Jim Kerr subsequently recalled "We were knackered. We were desensitized. The band started to fracture. We were lads who had grown up together, we were meant to grow together, politically, spiritually and artistically. But we were getting tired with each other. There was an element of the chore creeping in. We were coasting and this whole other thing was a challenge."[5]
The first casualty was bassist Derek Forbes, who was beginning to squabble with Kerr. Forbes began failing to turn up for rehearsals, and was dismissed. Forbes remained in touch with the band (and soon reunited with another former Simple Minds bandmate, drummer Brian McGee, in Propaganda). Forbes was replaced by former Brand X bass player John Giblin (who owned the band's rehearsal space and was a renowned sessions musician who had worked with Peter Gabriel and Kate Bush). Giblin made his debut with Simple Minds at Live Aid in Philadelphia, where the band performed "Don't You (Forget About Me)", a new track called "Ghost Dancing" and "Promised You a Miracle". Simple Minds were the first band to be approached to play the Philadelphia leg of Live Aid.[citation needed]
During 1985, Simple Minds were in the studio with former Tom Petty/Stevie Nicks producer Jimmy Iovine. In November, Once Upon a Time was released; former Chic singerRobin Clark, who performed call-and-response vocals with Kerr throughout the album (effectively becoming a second lead singer), and was heavily featured in Simple Minds music videos of the time. The record reached No. 1 in the UK and No. 10 in the US, despite the fact that their major-league breakthrough single "Don't You (Forget About Me)" was not included.
Once Upon a Time went on to generate four worldwide hit singles: "Alive and Kicking", "Sanctify Yourself", "Ghost Dancing" and "All the Things She Said", the last of which featured a music video directed by Zbigniew Rybczyński that used techniques developed in music videos for bands such as Pet Shop Boys and Art of Noise. The band also toured, with both Robin Clark and percussionist Sue Hadjopoulos added to the live line-up.
Because of Simple Minds' powerful stage presence and lyrics that trafficked in Christian symbolism, the band was criticised by some in the music press as a lesser version of U2, despite the fact that both bands were now heading in different musical directions. The two groups were well-acquainted with one another, and Bono joined Simple Minds on-stage at the Barrowlands in Glasgow in 1985 for a live version of "New Gold Dream". Bono also appeared on stage at Simple Minds Croke Park concert and sang "Sun City" during the "Love Song" medley. Derek Forbes also appeared on stage at the Croke Park concert and performed on several songs during the encore. To document their worldwide Once Upon a Time Tour, Simple Minds released the double-live set Live in the City of Light in 1987, which was recorded primarily over two nights in Paris in 1986.
By 1988, the band had built their own recording premises—the Bonnie Wee Studio—in Scotland. Following the lengthy period of touring to support Once Upon a Time, Simple Minds began new writing sessions. Initially the band began work on an instrumental project called Aurora Borealis (mostly written by Burchill and MacNeil). This project was then supplanted by an increase in the band's political activism, something which they had begun to stress in recent years (by giving all of the income from the "Ghostdancing" single to Amnesty International, and playing cover versions of Little Steven's "(Ain't Gonna Play) Sun City" on tour), inspired by Peter Gabriel with whom they had toured in the early 1980s.
Simple Minds were the first band to sign up for Mandela Day, a concert held at Wembley Stadium, London, as an expression of solidarity with the then-imprisoned Nelson Mandela. Bands involved were asked to produce a song especially for the event – Simple Minds were the only act which produced one. This was "Mandela Day", which the band played live on the day (alongside cover versions of "Sun City" with Little Steven and a cover version of Peter Gabriel's "Biko" on which Gabriel himself took on lead vocals). "Mandela Day" was released on the Ballad of the Streets EP, which reached No. 1 in the British singles charts (the only time the band did so).[6]
Another EP track, "Belfast Child", was a rewrite of the Celtic folk song "She Moved Through the Fair" (which had been introduced to Kerr by John Giblin) with new lyrics written about the ongoing war in Northern Ireland). The single was also an expression by Simple Minds of their support for the campaign for the release of Beirut-held hostage Brian Keenan, kidnapped by the Islamic Jihad.
"When we first heard the live album I thought, What a great night! What dynamics! But is that it for us – rousing choruses and crashing drums? There didnae seem any room for subtlety, and we always seem at our best when we're not trying to be powerful, but there's an underlying power coming through."
The next album Street Fighting Years (produced by Trevor Horn and Stephen Lipson) moved away from the American soul and gospel influences of Once Upon a Time in favour of soundtrack atmospherics and a new incorporation of acoustic and folk music-related ingredients. The lyrics were also more directly political, covering topics including the Poll Tax, the Soweto townships, the Berlin Wall and the stationing of nuclear submarines on the Scottish coast.
The band underwent further line-up changes during the recording of Street Fighting Years. Mel Gaynor and John Giblin both contributed to the recording (and, in Giblin's case, to some of the writing) but both had left the band by the time of the album's release, by which time the band was credited as a trio of Kerr, Burchill and MacNeil. In a new development for the band, various bass guitar and drum tracks were performed by high-profile session musicians. Gaynor's departure from the band was brief (he was rehired for the following tour).
Released in 1989, the album rose to No. 1 in the UK charts[8] and received a rare five-star review from Q magazine. It received a less positive review in Rolling Stone which criticised the band for what the reviewer considered to be political vacuity. "This Is Your Land" was chosen as the lead single for the U.S., and even with guest vocals from Lou Reed, the single failed to make a mark on the pop charts.
Reunited with Mel Gaynor, Simple Minds hired Malcolm Foster (ex-Pretenders) as the new bass player and expanded the live band again by recruiting three additional touring members – backing singer Annie McCaig, percussionist Andy Duncan and violinist Lisa Germano). Touring began in May 1989, and included the first and only time that the group headlined Wembley Stadium,[9] where they were supported by fellow Scottish bands The Silencers, Texas and Gun. In September, the concert in the Roman amphitheatre Verona Arena in Italy was recorded for the live video Verona, released by Virgin in 1990.
At the end of the Street Fighting Years tour, Simple Minds laid plans to go to Amsterdam to begin recording a new album. Just before the end of the tour, keyboardist Michael MacNeil announced to the band that he would not be joining them as he needed a break. MacNeil played his last concert with Simple Minds in Brisbane a week later. At the time, MacNeil's departure was put down to health concerns, but he had been gradually suffering disillusionment with the band's lifestyle and touring schedule (as well as what Kerr has referred to as "a number of animated quarrels".[10])
At around the same time, long-term manager Bruce Findlay was fired and over the next few years the band gradually altered to the point where it was a shifting set of musicians around the only remaining core members, Kerr and Burchill. MacNeil has commented "After I left, everything kind of went, and Bruce fell into that bracket of upheaval. I don't think he deserved it and I have a lot of sympathy for him after the way he was treated."
In December 2009, Kerr retrospectively defended the changes in an online diary entry. Although he admitted that MacNeil's departure had been a "colossal fracture". He also paid tribute to his former bandmate and admitted that MacNeil had been irreplaceable.[10]
Simple Minds continued to record, hiring keyboard players as and where required. The first of these was session keyboard player Peter-John Vettese who played live with the band at the Nelson Mandela Freedom Concert and on a short German tour. He was subsequently replaced in the live band by Mark Taylor.
In 1991, Simple Minds returned with Real Life. The album's cover showed a trio of Kerr, Burchill and Gaynor and the writing credits for all songs was Kerr/Burchill. The album reached No. 2 in the UK, where it also spawned four Top 40 singles. In the US, "See the Lights" was the band's last Top 40 pop single. The band toured to support the release, playing as a basic five-piece (Kerr, Burchill, Gaynor, Foster and Taylor) and cutting down on the extended arrangements of the last few large tours. Mel Gaynor left the band in 1992 to pursue session work and other projects, and for the next two years Simple Minds were on hiatus, releasing the compilation album Glittering Prize in 1992.
The second half of the 1990s: commercial decline[edit]
Simple Minds returned to active duty later in 1994. By now the band was officially a duo of Kerr and Burchill (with the latter taking on keyboards in the studio, as well as guitar). Hiring Keith Forsey (the writer of "Don't You (Forget About Me)") as producer, they began to put together an album which returned to the uplifting arena rock feel of their Once Upon a Time days. With Gaynor now out of the picture, the remaining instrumentation was covered by session musicians (although Malcolm Foster was included among the bass players used for recording).
Good News from the Next World was released in 1995. The album reached No. 2 in the UK and produced the two Top 20 hits "She's a River" and "Hypnotised". The band toured to promote Good News from the Next World, with Malcolm Foster and Mark Taylor as touring bass and keyboard players and Mark Schulman (who had played on the album) on drums. This was Foster's last work with the band, and Schulman returned to session work at the end of the tour.
After being released from their contract with Virgin Records, Simple Minds made use of the skills of their original rhythm section, Derek Forbes and Brian McGee (returning after respective eleven- and fourteen-year absences). Although McGee was not involved beyond the rehearsal stage, Forbes formally rejoined Simple Minds in July 1996. The band then reunited with Mel Gaynor for a studio session in early 1997. Gaynor was reinstated as a full-time member for the European tour (which once again featured Mark Taylor on keyboards).
After the tour, album recording sessions were interrupted by Kerr and Burchill’s decision to play live (without Forbes, Taylor or Gaynor) as part of the Proms tour (a series of orchestral concerts featuring a mixture of light classical and pop music). The duo played versions of "Alive And Kicking", "Belfast Child" and "Don't You (Forget About Me)" backed by a full orchestra and were billed as Simple Minds.
The new album, Néapolis featured Forbes playing bass guitar on all tracks, and Gaynor on one song, "War Babies". Other drum tracks were recorded by session players Michael Niggs and Jim McDermott, with additional percussion programming by Transglobal Underground/Furniture drummer Hamilton Lee. It was the only Simple Minds album released by Chrysalis Records, who refused to release the album in the U.S., citing lack of interest. The music video for "Glitterball", the album's lead single, was the first production of any kind to film at the Guggenheim Museum in Bilbao, Spain. A European tour followed between March and July 1998, undermined by problems with ill-health and contractual fiascos (including a pull-out from the Fleadh Festival to be replaced by British rock band James).
As Simple Minds' main writing team, Kerr and Burchill had continued to demo and originate material by themselves. For the latest sessions they had shared studio space with a band called Sly Silver Sly who featured Jim Kerr's brother Mark (previously the drummer with Gun) and bass guitarist Eddie Duffy, and who were working with American songwriter Kevin Hunter. While in the studio, the two writing and recording projects (including the Hunter co-writes) merged to become the sessions for the next Simple Minds album, Our Secrets Are the Same. Once again, Forbes and Gaynor found themselves out of the band: Mark Kerr became the new drummer and Eddie Duffy joined on bass guitar. The new-look Simple Minds made their début with a short set of greatest hits at the Scotland Rocks For Kosovo festival, with Mark Taylor returning on keyboards. The displaced Forbes and Gaynor, having apparently been told that the band was not appearing at the festival, formed a new band of their own to play the same concert.
Having delivered Our Secrets Are the Same to Chrysalis, Simple Minds then found themselves caught up in record company politics while Chrysalis, EMI and other companies attempted to merge with each other. Originally due for release in late 1999, the album remained unreleased after the band mired themselves in lawsuits with Chrysalis. In 2000, the situation became even more complicated when Our Secrets Are the Same was leaked on the internet. Discouraged with their label's failure to resolve the problems, and with both momentum and potential album sales lost, the band once again went on hiatus. Eddie Duffy, Mark Taylor and Mark Kerr all moved on to other projects. Jim Kerr moved to Sicily and took up a part-time career as a hotelier, although both he and Burchill continued working together on various business interests and kept the idea of the band alive.
The 2000s: revival of the band[edit]
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In 2001, Jim Kerr and Charlie Burchill began working with multi-instrumentalist Gordon Goudie (ex-Primevals) on a new Simple Minds album to be called Cry. Mark Kerr also contributed to the project (this time as an acoustic guitarist and Burchill's co-writer on several songs) while Kerr brought in various Italian musicians as collaborators, including Planet Funk and Punk Investigation.
In parallel to Cry, Simple Minds also recorded an album of covers called Neon Lights, featuring Simple Minds versions of songs from artists including Patti Smith, Roxy Music andKraftwerk. Neon Lights was the first to be completed and released (later in 2001). In the video for the Neon Lights single "Dancing Barefoot", the band consisted of Jim Kerr, Charlie Burchill, Gordon Goudie and Mark Kerr. A 2-CD compilation, The Best of Simple Minds, was released soon afterwards.
Cry was released in 2002. Although the album did not sell in great numbers in the U.S., Simple Minds felt confident enough to mount a North American leg of their Floating World Tour (named after the instrumental track which closes Cry), their first in seven years. With Goudie opting to remain studio bound (and Mark Kerr leaving the band again), Simple Minds once again recruited Mel Gaynor as tour drummer. The live band was completed by the returning Eddie Duffy on bass guitar and by new keyboard player/programmer Andy Gillespie (of SoundControl).
On 28 October 2003, Capitol released Seen The Lights – A Visual History, the first-ever Simple Minds commercial (double) DVD, featuring over four hours and twenty minutes of archive footage. The first disc includes the majority of the band's promotional videos. The second disc is devoted to Verona, the band's first video which was originally released in VHS format in 1990. It was upmixed to 5.1 surround sound for the DVD, but otherwise remains the same as the original VHS copy.
On 18 October 2004, Simple Minds released a five-CD compilation entitled Silver Box. This mostly comprised previously-unreleased demos, radio and TV sessions and live recordings from 1979 to 1995, but also included the long-delayed Our Secrets Are the Same. In 2005, the band embarked on the "Intimate Tour" (a series of low-key gigs at smaller venues). Andy Gillespie was unable to appear at all the gigs, and Mark Taylor returned to cover for him on several occasions. From this point onwards, the two alternated as Simple Minds' live keyboard player, depending on Gillespie's schedule with his other projects.
On 12 September 2005, Simple Minds released Black & White 050505, their fourteenth studio album. The album's first single, "Home", received airplay on alternative rock radio stations in the US. It reached No. 37 in the UK and was not released in North America. The band spent 2006 touring throughout Europe, the Far East, Australia and New Zealand on the Black And White Tour (with Mark Taylor on keyboards).
2007 marked the band's 30th anniversary and saw the band embarked on a brief tour of Australia and New Zealand as guests of INXS. Burchill, Kerr, Gaynor, Duffy and Gillespie also performed a brief set at the 40th anniversary tribute to Celtic F.C.'s Lisbon Lions European Cup-winning team (with Jim McDermott deputising on drums for an absent Mel Gaynor). The band continued to release audio and video download "bundles" through their official website, featuring live music and several short documentary-style videos recorded during their 2006 tour in Edinburgh and Brussels (including the complete show on 16 February 2006 at the Ancienne Belgique, Brussels, Belgium as "Live Bundles" No. 1 to No. 5 and 6 tracks from the show on 28 August 2006 at the "T on the Fringe" music festival, Edinburgh, as "Live Bundles" No. 6 & No. 7).
On 27 June 2008, Simple Minds played the 90th birthday tribute to Nelson Mandela in London's Hyde Park. The band then undertook a short tour of the UK to celebrate their 30th anniversary. Jim Kerr and Charlie Burchill also played some unrelated shows across Europe with Night of the Proms prior to those dates. During these concerts, the band performed the entire New Gold Dream (81–82–83–84) album and songs from their other albums in a two-part concert performance.
The original members of Simple Minds worked together for the first time in 27 years when they entered a recording studio in June 2008.[11]
A new record label, W14/Universal label, purchased the Sanctuary label in early 2009. Former Sanctuary Records A&R head John Williams (who had signed the band to Sanctuary) kept his position with the new label, and exercised the option to pick up the remaining Simple Minds albums owed as part of the previous deal.
Reverting to the Burchill/Kerr/Gaynor/Duffy line-up, Simple Minds released on 25 May 2009 a new studio album entitled Graffiti Soul. Jim Kerr suggested that Simple Minds had enough material from the Graffiti Soul recording sessions for two albums, one to be released at the start of 2009 and the second following within a year.[citation needed]
In early April 2009, Graffiti Soul's first single, "Rockets", was made available on the Internet. On 31 May 2009, the album entered the UK Album chart at No. 10, Simple Minds' first album in 14 years to enter the UK Top 10. The album also entered European Top 100 Album chart at No. 9.
The 2010s: continuing revival, Jim Kerr solo project[edit]
Interspersed with Simple Minds activity, Jim Kerr recorded and released his first solo album Lostboy! AKA Jim Kerr on 17 May 2010 under the name "Lostboy! AKA". Explaining the project name and ethos, he commented "I didn't want to start a new band. I like my band ...and I didn't want a point blank Jim Kerr solo album either."[12]
A Lostboy! AKA 10-date European tour followed from 18 to 31 May 2010. In August 2010 Lostboy! AKA embarked on a 12-date "Electroset Radio" tour for various European/UK radio stations but the band played only 4 dates in Germany and Spain. A new Lostboy AKA! 25-date "Electroset" (European) tour (the third one) (featuring Simon Hayward and Sarah Brown) was scheduled from 18 October to 3 December 2010 but the band had played only nine shows when the rest of the tour was cancelled after the performance on 13 November 2010 in Dublin, Ireland because Kerr's mother had become ill with a recurrence of cancer.[citation needed]
The band was expected to play a handful of gigs between October and December 2010[citation needed] but gave only two shows: a mini-concert on 2 October 2010 at the Cash For Kids Ball organised by Radio Clyde at the Hilton in Glasgow, and a full-length concert on 10 December 2010 at the Festhalle in Bern.[13]
In early October 2010, a new line-up of Simple Minds (Burchill, Kerr, Gaynor, Gillespie with new bassist Ged Grimes) completed four weeks at the Sphere Recording Studios in London during which four songs were recorded and mixed for a new compilation album to be called Greatest Hits + and for the new Simple Minds studio album. The sessions were produced by Andy Wright and engineered and mixed by Gavin Goldberg. The four songs recorded were an 8-minute long version of "In Every Heaven" (originally recorded in 1982 during the "New Gold Dream" sessions) and three new compositions: "Stagefright" and "On The Rooftop" both written by Charlie Burchill and Jim Kerr and "Broken Glass Park" originally a Lostboy! AKA song written by Jim Kerr and Owen Parker.
The new song "Stagefright" was first made available on 3 June 2011 as a free download for members at Simpleminds.com and fans of the Official Simple Minds Facebook Page.[citation needed]
From 10 June to 3 July 2011, Simple Minds embarked on the "Greatest Hits Forest Tour", playing a series of seven dates in woodland locations of England, as part of Forestry Commission Live Music.[citation needed]
From 16 June to 28 August 2011, the "Greatest Hits +" tour visited European countries: the UK, Belgium, Germany, France, Italy, Switzerland, Ireland, Gibraltar and Serbia mainly at summer festival venues.[14][15] Simple Minds played several free concerts (on 4 July 2011 in Potsdam, Germany, on 4 July 2011 in Florence, Italy for the opening of Florence's Hard Rock Cafe, on 18 August in Belgrade, Serbia before 110,000 people and on 27 August in Bad Harzburg, Germany before 25,000 people).
To coincide with the "5X5 Live" tour, EMI Music released on 20 February 2012 the X5 box set featuring the 5 first albums over 6 discs, Life in a Day, Real to Real Cacophony,Empires and Dance, Sons and Fascination/Sister Feelings Call and New Gold Dream (81–82–83–84) (with Sons and Fascination and Sister Feelings Call as separate discs in a gatefold sleeve as well as bonus material on each disc including B-sides and remixes).
In a video made the day after the band played Barrowland in Glasgow on 25 February 2012, Jim Kerr announced Simple Minds' first appearance at the T in the Parkfestival.[16][citation needed] After a gig on 30 March 2012 at the Døgnvill Festival in Tromsø, Norway, the band embarked on 23 June 2012 in Vienna, on a 25-date tour of European summer festivals which ended on 22 September 2012 in Germersheim, Germany.
On 21 April Virgin Records released the band's first ever record released exclusively for Record Store Day 2012. The 12" single contained two exclusive remixes, Theme For Great Cities remixed by Moby on side A and the 2012 remix of I Travel remixed by John Leckie (who produced the original version of the song in 1980) on side B. The 12" was limited to 1000 copies worldwide of which 100 copies were sold in Sister Ray Records in London, where Jim Kerr and Charlie Burchill took part in a record signing session.
Simple Minds embarked in late 2012 on an 8-date Australia and New Zealand joint tour with American band Devo and Australian band The Church starting on 29 November 2012 in Melbourne, and ending on 15 December 2012 in Auckland (the only show played in New Zealand). The three bands played A Day On The Green as well as indoor shows.
On 23 October 2012, Simple Minds announced a 30-date "Greatest Hits +" UK Tour (due to begin in Dublin on 25 March 2013 and to end in Ipswich on 4 May 2013) and a new greatest hits 2CD and 3CD collection entitled Celebrate: The Greatest Hits + released on 25 March 2013 on Virgin Records, including 2 new tracks, "Blood Diamonds" "Broken Glass Park", the 3CD version also including "Stagefright", a track which has never been available in CD format before, and unreleased single mixes of "Jeweller to the Stars" and "Space". The North American version of the album contains only 1 CD.
On 26 February 2013, Simple Minds announced a European leg to the "Greatest Hits +" Live Tour due to occur at the end of the year, with four dates yet confirmed in the Netherlands, Belgium and France in November 2013. On 19 March 2013, Simple Minds announced a second UK leg to the "Greatest Hits +" Live Tour including 4 arena shows to be held in Glasgow, Manchester, Birmingham and London, with guests Ultravox at all 4 concerts.[17]
On 19 May 2014, it was announced that Simple Minds had just finished recording a new album entitled Big Music that would come out in October 2014.[18]
On 22 September 2014, Simple Minds confirmed the release on 3 November 2014 of their new studio album Big Music and announced a major Winter/Spring 2015 UK and European tour (from February to May 2015).[19]
On 22 October 2014 Simple Minds were presented the Q Inspiration to Music award by Manic Street Preachers frontman James Dean Bradfield.
On 2 November 2014, Simple Minds introduced Big Music with a special acoustic session for Radio Clyde's The Billy Sloan Collection.[20] Jim Kerr and Charlie Burchill co-hosted the show, choosing some of their all-time favourite records - including Jet Boy by The New York Dolls, The Velvet Underground's Sweet Jane and The Model by Kraftwerk - and playing acoustic versions of songs from Big Music, including Honest Town and Let The Day Begin. They also played a cover of David Bowie's The Man Who Sold The World.
On 9 October 2015, Simple Minds announced the special exclusive Simpleminds.com release on 14 November 2015 of a 29-track double CD live album entitled Live – Big Music Tour 2015. Recorded during the 2015 "Big Music" live tour (which continues in November 2015), this double CD live album not only showcases Simple Minds classics but it also includes live versions of many of the tracks from the latest hit album Big Music along with some new arrangements of songs such as "The American", "Home" and "Rivers Of Ice". Simple Minds confirmed that a digital download version would also be released.[nb 1]
In September 2014, just after the completion (and just before the release) of Big Music, Simple Minds began working on the demos for their next album, their 17th studio one. By January 2016, they were still working on the new album with work to be continuing in London. So far, two new songs called "Fireball"[nb 2] and "A Silent Kiss"[nb 3] have been mentioned. The new release is expected in 2017.[21][22]
Concert tours[edit]
Main article: Simple Minds concert tours
Discography[edit]
Main article: Simple Minds discography
- Life in a Day (1979)
- Real to Real Cacophony (1979)
- Empires and Dance (1980)
- Sons and Fascination/Sister Feelings Call (1981)
- New Gold Dream (81/82/83/84) (1982)
- Sparkle in the Rain (1984)
- Once Upon a Time (1985)
- Street Fighting Years (1989)
- Real Life (1991)
- Good News from the Next World (1995)
- Néapolis (1998)
- Our Secrets Are the Same (2000/2004)
- Cry (2002)
- Black & White 050505 (2005)
- Graffiti Soul (2009) (the Deluxe Edition includes the Bonus CD Searching for the Lost Boys)
- Big Music (2014)[18]
Selected videography[edit]
The release dates are the original ones and the formats mentioned are the most recent versions officially available (not necessarily the original release formats).
- 1990: Forget About Me (TV) directed by Michael Winterbottom (not available) (this is the story of two Scottish "squaddies" (young, trainee soldiers) who hitchhike to Budapest to go to a concert of the band Simple Minds; the film is a love triangle between the two soldiers and one beautiful Hungarian girl; Simple Minds is seen performing on stage at the very end of the film)[23]
- 1990: Verona (VHS; May 1990; Virgin Music Video VVD 610) (in 2003, this video was remixed in 5:1 surround sound and released as part of the Seen The Lights – A Visual History double DVD set)
- 1992: Glittering Prize 81/92 (VHS; October 1992; Virgin Music Video VVD 1103)
- 2003: Seen The Lights – A Visual History (DVD; release dates: 28 October 2003 in some parts of Europe, 1 November 2003 in Russia, 3 November 2003 in UK and some other parts of Europe, 18 November 2003 in Canada; Virgin SMDVD 1) (this is the first-ever Simple Minds commercial (double) DVD, featuring over four hours and twenty minutes of archive footage; the first disc includes the majority of the band's promotional videos; the second disc is devoted to Verona, the band's first video originally released in 1990 in VHS format, upmixed here to 5.1 surround sound)
- 2014: Celebrate – Live at the Glasgow SSE Hydro (limited edition Deluxe DVD book set ; release date: May 2014 ; including 4 discs: 1 21-track DVD of the concert filmed and recorded at the Glasgow SSE Hydro on 27 November 2013, 1 DVD of exclusive interview footage and photo gallery, 2 fully mixed audio CDs of the concert + a bound book featuring specially-written notes and exclusive live photos from the Celebrate tour + photographic print individually autographed by the band)
Personnel[edit]
Current members[edit]
| Former members[edit]
|
Live and session musicians[edit]
- Paul Wishart – saxophone – Empires and Dance tour (1980)
- Robin Clark – vocals – Once Upon a Time tour (1985–1986)
- Sue Hadjopoulos – percussion – Once Upon a Time tour (1985–1986)
- Lisa Germano – violin – Street Fighting Years tour (1989)
- Annie McCraig – vocals – Street Fighting Years tour (1989)
- Andy Duncan – percussion – Street Fighting Years tour (1989)
- Malcolm Foster – bass guitar (1989–1995)
- Peter-John Vettese – keyboards (1990)
- Mark Taylor – Keyboards (1991–1999; 2005–07)
- Timothy Scott Bennett – drums (1993)[24]
- Mark Schulman – drums – Good News from the Next World tour (1994–1995)
- Mark Kerr – drums (1999), guitar (2002)
- Sarah Brown – vocals – Graffiti Soul tour - current Greatest Hits + tour (2009–present)
- Catherine AD - vocals, keyboards, additional guitar - up coming 2015 spring tour (2014-present)
Timeline[edit]
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